![]() And that constrains a creates generates the problem space for the story. And we deliver that through our what we’re calling our pop, that’s our proposition of possibility. That’s the message that the that the writer wants to send wants to share with their mass audience. So the story is a signal of the controlling idea of the story. And it’s all about really incorporating the ideas of story as communication, especially when we’re down at the narrative device level. Before we dive into the questions, the narrative devices, part of our 624 analysis, that gives you six levels of analysis of a story or scene. So just a little bit about narrative device. And I highly recommend that you grab the the anthology that that’s included in. ![]() And that’s eyewitness from Ed McBain, which is a great story. So we’re going to talk about the narrative device for our the pattern that we’re using to help you write your next short story. So Leslie, I’m going to let you get started here. In this week, Leslie is going to be taking the wheel and walking us through a narrative device. And Lesley Watts is Our Story grid publishing Editor in Chief. Danielle Koski is the chief academic officer. He’s the founder and creator of the story grid. I’m your host, Tim Grahl, and I am a writer trying to figure out how to tell a story that works. This is a show dedicated to helping you become a better writer. Hello and welcome to the story grid podcast. Danielle Kiowski, Shawn Coyne, Tim Grahl, Leslie Watts
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